The work has been examined under ultra violet light and does not appear to show signs of conservation/restoration. (msc) Shipping costs excl. The canvas is original. €1,000 - €1,500. It is these oil paintings, often of surreal, organic landscapes of the Pembrokeshire coast, that secured his reputation as a leading British modern artist. A major exhibition of rarely seen works on paper by Graham Sutherland, curated by artist George Shaw, was presented at , UK in 2011-12. GRAHAM SUTHERLAND (1903 - 1980) Michaelmas 1928 Etching on paper, second state, from an edition of 113 unnumbered examples in three states, published by Twenty One Gallery, London 8.6 x 7.1 cm (plate) 20.2 x 18 cm (sheet) Signed in pencil lower right PROVENANCE: Private Collection, Rome LITERATURE: F. and H. Man, 'Graham Sutherland: das graphische Werk, 1922-1970', Galerie Wolfgang Ketterer, Munich, 1970, no. There are a few creases to the work, including in the sky and to the mountain top. As an official War Artist, Sutherland depicted bomb damage in London but it was not until after the war that he started to become really well known. In 1926 Sutherland became a member of the Royal Society of Engravers and Etchers. There are one or two very minor scattered frame abrasions around the extreme edges. circa 1970 Lithograph printed in colours, 1975, on BFK Rives, signed, dated and numbered 46/99 in pencil, printed by Fernand Mourlot, Paris, published by Ediciones Poligrafa S. A., Barcelona, with margins, 530 x 720mm (20 7/8 x 28 3/8in)(SH) 38. Bonhams website. 65x50 Esemplare 66/75 Certificato di autenticità e di provenienza Galleria d’Arte Gissi su carta Tiratura in basso a sx Firmato in basso a dx, Description: There were major retrospective shows at the Institute of Contemporary Arts in 1951, the Tate in 1982, the Musée Picasso, Antibes, France in 1998 and the Dulwich Picture Gallery in 2005. Lot 16: SUTHERLAND GRAHAM (1903 - 1980) Three Headed Rock Form.  Between 1940 and 1945, Sutherland was employed as a full-time, salaried artist by the War Artists' Advisory Committee. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. There are some spots of staining. Lot 12: Graham Sutherland OM, British 1903-1980- Hatching I [Tassi 180], 1967-77; etching with aquatint in colours on Magnani laid paper, signed and numbered 56/66 in pencil, from the suite titled The Bees, printed by 2RC Edizioni d'Arte, with their blinds, Lot 12: Graham Sutherland - XXe Siecle no. STILL LIFE - STUDY FOR PALM AND HOUSE, 1947 As a war artist (1940-45) Sutherland painted armaments factories and the devastation of shattered masonry and twisted iron in blitzed cities. £2,000 - £3,000, Description: Submerged Form (Tassi 106) Graham Sutherland O.M. Multinese Art Study's authenticty certificate on photo.. Cm 31,00 x 36,00. There being no vacancies at his first choice, the Slade School of Fine Art, he entered Goldsmiths' School of Art in 1921, specialising in engraving and etching before graduating in 1926. He was particularly influenced by British landscape painter and etcher Samuel Palmer. view print.  In all, Sutherland painted over fifty portraits, often of European aristocrats or senior businessmen. He served as an official war artist in the Second World War drawing industrial scenes on the British home front. | Red Tree, Lot 5: Graham Sutherland (1903-1980) Forme de roche dressée (Tassi 115), Lot 5: Graham Sutherland - Hommage à San Lazzaro, 1975, Lot 7: Graham Sutherland 1903, Londra - 1980, Londra - [Inghilterra] Studio per litografia (L'inferno), Lot 7: Graham Sutherland (1903-1980) Neuvieme Biennale Internationale D'art Menton (two posters), Lot 7: Graham Sutherland O.M. Sutherland visited the area each summer from 1934 to 1939. view print. Fossil with Rock and Flames (Tassi 170) Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Bonhams website, Estimate: Lot 19: Graham Sutherland O.M. Please telephone the department on +44 207 293 6424 if you have any questions regarding the present work. £1250. 9 [Tassi 69], 1963; lithograph in colours on Arches wove, dated in the plate, signed and numbered 4/35 in pencil, from the portfolio titled Europaeische Graphik I, printed by Emil Matthieu, with, Lot 11: § Graham Sutherland O.M.  However, some of Sutherland's studies for the portrait have survived. Lithographie couleur signée au crayon et numérotée 95/125 Kindly contact Potomack for condition notes. His work from this period includes two suites of prints The Bees (1976–77) and Apollinaire (1978–79). Graham Sutherland O.M. For further information on this lot please visit the His work was much inspired by landscape and religion, and he designed the tapestry for the re-built Coventry Cathedral. signature in the lower right corner, Description: Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Estimate: Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Articulated Form, 1949. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. 1972, Description: Graham Sutherland. Graham Sutherland. Hinge-taped in 3 places at the upper sheet edge; very pale yellow stain in centre right margin; a few minor handing creases in lower margin; some pale time staining at the sheet edges; generally in very good condition. Description: Dimensions : 76 x 55,5 cm, Estimate: His partisans call it the “infamous portrait,” the “daub,” the “outrage.” Better, they said, to present him with something he really liked. Printmaking, mostly of romantic landscapes, dominated Sutherland's work during the 1920s. National Gallery of Canada. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE. Subject to the above the work is in excellent overall condition, with a rich layer of impasto.Inspection under ultraviolet light reveals an uneven milky layer of varnish, as well as some small spots of retouching along the upper and lower edges, possibly replacing previous frame abrasions, and a small spot of sensitive retouching towards the upper right section of the red area in the centre of the composition. The pigments and the sheet have discoloured, as is made clear by the edges which are covered by the current mount. He was particularly influenced by British landscape painter and etcher Samuel Palmer. The sheet has been laid down on card. Three Headed Rock Form.. 71/75. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. His work was much inspired by landscape and religion, and he designed the tapestry for the re-built Coventry Cathedral. SUTHERLAND GRAHAM (1903 - 1980). For three years (1927-29) he was a teacher at the Chelsea School of Art and in the mid-30s he taught book illustration there. Graham Sutherland (1903-1980) made early prints of pastoral subjects which show the influence of Samuel Palmer. « Swan like Form » He did not begin to paint in earnest until he was in his 30s, following the collapse of the print market in 1930 due to the Great Depression. From June 1942, Sutherland painted further industrial scenes, first at tin mines in Cornwall then at a limestone quarry in Derbyshire and then at open-cast and underground coal mines in the Swansea area of South Wales. Description: (British, 1903-1980) Head 33 x 24.8 cm.  From 1948 until 1954, Sutherland served as a trustee of the Tate gallery. Litografia a colori Anno 1974 Dim. Sutherland spent four months from the end of March 1944 at the Royal Ordnance Factory at Woolwich Arsenal working on a series of five paintings for WAAC. Along with John Piper, Sutherland is one of the extreme representatives of a modern art movement in England, which combines a fantastic Romanticism with surrealistic elements. The Lithograph is from an unknown edition size. Beaverbrook regarded his portrait by Sutherland, which clearly depicted him as cunning and reptilian, as both an 'outrage' and a 'masterpiece'. Paper size is 12.25 x 9.5 inches, with an image size of 12.25 x 9.5 inches. Along with John Piper, Sutherland is one of the extreme representatives of a modern art movement in England, which combines a fantastic Romanticism with surrealistic elements.  This was Sutherland's first major religious painting and his first large figure study. Image not available. in 1982 at the Tate Gallery in London, in 1998 in France and in 2005 at the Dulwich Picture Gallery, also in London.  A number of features reoccur within this body of work, for example, the fallen lift shafts that were often the most recognizable aspect of larger bombed buildings and a double row of bombed houses Sutherland saw in the Silvertown area of the East End. The image measures 65 x 50.2 cm and the sheet dimensions are 76 x 52 cm.Graham Sutherland (1903-1980)Born in Eynsteat (Kent), the artist graduated at the Goldsmith's College School of Art in London, where he was among others taught by Malcolm Osborne and Stanley Anderson. Low price guarantee, fast shipping & free returns, and custom framing options on all prints. Condition Report: But it should also be kept in mind that the occasion itself was an unprecedented mark of respect from Parliament and from the nation. There are a few scuffs and tears to the edges of the sheet, including along the left edge, in the lower left corner, and along the left of the upper edge. Description: Works by Sutherland are held in the collections of Amgueddfa Cymru – National Museum Wales, Bristol Museum and Art Gallery, Doncaster Museum and Art Gallery, Kirklees Museums and Art Gallery, Herbert Art Gallery and Museum, Manchester Art Gallery, National Portrait Gallery, Norwich Castle Museum and Art Gallery, Northampton Museums and Art Gallery, Pallant House Gallery, Southampton City Art Gallery, The Ingram Collection of Modern British and Contemporary Art, Tenby Museum and Art Gallery, The Fitzwilliam Museum and The Priseman Seabrook Collection. Bonhams website, Estimate: For further information on this lot please visit the  In all Sutherland completed some 150 paintings as part of his WAAC commission.. Christ in Glory in the Tetramorph took three years to complete and was installed in 1962. | Number Forty-Nine (Walker 21); Cottage in Dorset; May Green; The Sluice Gate (Walker 14) and Warning Camp (Walker 13). Forme de roche dressée (Tassi 115) Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. The main building of Coventry School of Art and Design, part of Coventry University, is named after Sutherland.  Sutherland's Portrait of Winston Churchill (1954) greatly upset the sitter, who initially refused to accept its presentation. There appears to be some old and minor handling creases to the sheet. May Green with a window of pale light-staining, two small pale stains in the lower margin, the verso with mottled foxing just showing through recto, with two remains of previous hinges at the upper sheet edge, unobtrusive vertical bands of inconsistent paper texture only visible in the margins and verso.. Lot 18: Graham Sutherland (1903-1980) Untitled (Five tree. For three years (1927-29) he was a teacher at the Chelsea School of Art and in the mid-30s again taught book illustration there. Two lithographs printed in colours, 1972, on thin wove paper, printed by Mourlot, Paris, each the full sheet, 724 x 483mm (28 1/2 x 19in) (unframed) original prints artist biography. Graham Sutherland was born in 1903 in Streatham. (British, 1903-1980) East End View, 10 Nye Bevan Street 12.5 x 20.5 cm (5 x 8 in.). 9 [Tassi 69], 1963; lithograph in colours on Arches wove, dated in the plate, signed and numbered 4/35 in pencil, from the portfolio titled Europaeische Graphik I, printed by Emil Matthieu, with their blindstamp, published by Felix H. Man and Galerie Wolfgang Ketterer, Stuttgart, with their blindstamp, sheet 56.4 x 45cm (unframed) (ARR) inchiostro litografico su carta da riporto 40x57 cm 1979 firma dell'artista in basso a sinistra certificato di autenticità dell'Archivio delle opere di Graham Sutherland curato dalla Galleria Ruggerini & Zonca di Milano. Taking the above into consideration the work appears to be in very good condition. Invaluable cannot guarantee the accuracy of translations through Google Translate and disclaims any responsibility for inaccurate translations. statutory VAT and plus 2,5% (+VAT) shipping insurance. Sutherland was a master of printmaking. Graham Sutherland. Sutherland died in 1980 and was buried in the graveyard of the Church of St Peter and St Paul in Trottiscliffe, Kent. Living abroad led to something of a decline in his status in Britain. Prints of romantic landscapes dominated Sutherland’s work during the 1920’s.  It was subsequently destroyed on the orders of Churchill's wife, Clementine. Graham Sutherland: A Bestiary (Exhibition Poster) Bonhams website. Mar 11, 2017 - Explore Richard Ironside's board "Graham Sutherland", followed by 692 people on Pinterest.  Between 1935 and 1940, he also taught composition and book illustration at Chelsea. Esemplare: p a Cm 50x70, Estimate: Lithograph in colors on wove paper Great Britain, 1963Graham Sutherland (1903-1980) – British painter, graphic artist and illustrator Signed 'Graham Sutherland' and numbered ' I/XXXV' in pencil and dated '1.IV 63' on the stonePublished by Edition Wolfgang Ketterer (with blindstamp)Image dimensions: 65 x 50.2 cm; sheet dimensions: 76 x 52 cmGood conditionEstimate by Auctionata Expert: 800 Euro Condition:The sheet is in good condition with handling creases and very few small marks. Lower right corner, and he designed the tapestry for the re-built Coventry Cathedral 4. As an official War artist in the sale Catalogue incredibly small flecks of loss the centre of the Tate.... Area every year, until the start of the United Kingdom radio play, portrait of,. Scuffs to the sheet are slightly uneven, in places slightly discolored, portrait of Winston Churchill of the Gallery... Appear to show signs of handling and menace by Jonathan Smith, a! 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